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Presented by the Center for Asian American Media (formerly NAATA), the San Francisco International Asian American Film Festival (SFIAAFF) is the largest film festival in North America dedicated to showcasing the best in Asian American and Asian cinema. The SFIAAFF’s programmatic mission is to present compelling stories about the Asian American experience through moving images and to support the ongoing development of Asian American independent cinema.
The SFIAAFF annually presents about 120 films and videos across 11 days in three cities: San Francisco, Berkeley and San Jose and draws over 200 filmmakers and industry guests, and about 30,000 attendees. Awards include: Best Narrative Feature Award; Best Documentary Feature Award; and Audience Awards in two categories, Narrative Feature and Documentary Feature.
Since 1982, the SFIAAFF has served as an important launching point for new works from Asia, the U.S. and the Asian diaspora by filmmakers such as Ang Lee, M. Night Shyamalan, Gurinder Chadha, Kayo Hatta, Mina Shum, Wong Kar-Wai, Tony Bui and Justin Lin, to name a few. Screened works include both feature-length and short films and videos of all genres (narrative, documentary, experimental, animation and music video).
| Email: | festival(at)asianamericanmedia.org |
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| Phone: | (1) 415 863-0814 x109 |
| Fax: | (1) 415 863 7428 |
| Mailing Address: |
145 9th Street, Ste. 350 San Francisco, California 94103 USA |
| Url of this record: | http:/ / www.filmfestivalworld.com/ festival/ San_Francisco_Intl_Asian_American/ | |
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Narrative Competition
The Best Narrative Award is presented to the best feature-length narrative film by or about Asian Americans and Asian Canadians, as selected by a three-person jury that included independent filmmaker and playwright Philip Gotanda, Gina Kwon, independent producer of projects including Miranda July’s "You and me and Everyone We Know," and Academy Award winning screenwriter Iris Yamashita.
This year’s Narrative Competition consisted of 9 exciting new films, including 5 world premieres, that took on issues ranging from love and sex to table tennis. These films provoke, entertain and exhibit some of the best in Asian American cinema.
Congratulations to "Amal," by director Richie Mehta, winner of this year’s Best Narrative Award.
In this remarkable film debut, the director demonstrates an uncannily mature command of craft, story-telling and direction. In telling this classic tale of morality, the director has created a perfectly pitched film, full of wonderfully understated performances and subtly beautiful moments.
For the Narrative Competition Special Jury Prize, the jurors felt there were two films equally deserving the award. Both presented the best of independent filmmaking: the telling of stories full of heart and honesty; the dedication to portraying authentic worlds; and the commitment to their specific visions.
Congratulations to "Always Be Boyz," directed by Johnny Kwon, and Santa Mesa, directed by Ron Morales, this year’s Special Jury Prize winners in the Narrative Competition.
Documentary Competition
The Best Documentary Award is presented to the best feature-length documentary film by or about Asian Americans or Asian Canadians, as selected by a three-person jury that included Kathryn Lo, Associate Director of Program Development and Independent Film at PBS, Stanley Nelson, Bay Area-based documentary filmmaker, and Celine Parrenas Shimizu, Associate Professor of Asian American, Film and Women’s Studies at UC Santa Barbara.
This year’s Documentary Competition included seven documentaries that explored some of the most pressing and intriguing issues in Asian America. Far-reaching, personal, uplifting and thought-provoking, these select films prove themselves heavy contenders in the genre of documentary filmmaking.
Congratulations to "Planet B-Boy," directed by Benson Lee, this year’s Best Documentary Award winner.
"Planet B-Boy" combines form and content to tell a story that is constantly entertaining and exciting. A story that gets at universal truths while dancing it’s way to our hearts.
For the Documentary Competition Special Jury Prize, the jury chose a film that tells the story of Kamikaze pilots during WWII in a way that is both universal and personnel. A film that brilliantly uses archival footage, animation and interviews to tell this harrowing and remarkable story.
Congratulations to "Wings of Defeat," directed by Risa Morimoto, winner of this year’s Special Jury Prize in the Documentary Competition.
Sang-soo weaves paradoxical themes throughout his films as he examines the human condition; defined and contradicted by sexuality, morality, gender, intimacy, isolation, mortality, etc.
Retrospective films screened included:
TURNING GATE
WOMAN ON THE BEACH
THE DAY A PIG FELL INTO A WELL
WOMAN IS THE FUTURE OF MAN
TALE OF CINEMA,
and his most recent film, WOMAN ON THE BEACH.
The retrospective included a Q&A forum where the audience could ask questions about and discuss themes of his illustrious cinematic oeuvre.
Directed by: Stephane Gauger
Special Jury Award: “Tre”
Directed by: Eric Byler
Special Mention: Actor Ken Leung, star of “Shanghai Kiss and Year of the Fish”
Best Documentary Feature: “New Year Baby”
Directed by: Socheata Poeuv
Special Jury Award: “A Dream in Doubt”
Directed by: Tami Yeager
Comcast Audience Award (Narrative): “American Pastime”
Directed by: Desmond Nakano
Comcast Audience Award (Documentary): “Na Kamalei: The Men of Hula”
Directed by: Lisette Marie Flanary