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Hamburg International Short Film Festival - an FFW festival profile
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Hamburg International Short Film Festival

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  • Hamburg, Germany June 2013, TBA
  • Call for Entry Deadline: February 2013, TBA
  • Festival Data:
    • Established: 1985
    • Attendance: 14700
    • Media Attendance: 57
    • Accredited Industry Attendance: 540
    • Total Number of Films Submitted: 4000
    • Total Number of Films Screened: 314
    • # of Shorts Screened: 314
    • Competitive
    • Has Panels
  • Festival Website:
    www.shortfilm.com
  • Festival Description:

    The Hamburg International Short Film Festival has its roots in the independent filmmaking scene. The Festival first took place in 1985 under the title NoBudget, a name which clearly defined the Festival’s mission. In 1994 it received its current name. Since it was founded, it has always been the Festival’s aim to rise to the challenge presented by new developments and changing parameters in technology, society, and aesthetics.

    The main objective of the Hamburg International Short Film Festival is to emphasise this potential and – most importantly – to provide a forum for the short film. Ever since its foundation, it has been a further aim of the festival to advance the proliferation of short films in general. This has been especially succesful, since the festival is organized by the KurzFilmAgentur Hamburg e.V.. By housing the archive, theatrical distribution, and sales departments, as well as the festival itself all under one roof, the ShortFilmAgency is able to create considerable synergy effects which enhance the work with and for the short film.

    By presenting an enormous range of international short film productions, the Festival is able to offer its visitors an incredibly varied forum and serves as an ever-popular meeting place for filmmakers from both Germany and abroad.

    The Festival stages several competitions which present a selection of recent national and international short films. In addition to the competitions, the Festival offers special one-off programs that take a closer look at chosen topics. These topics range from social observations or retrospectives of individual filmmakers to film genres or films from certain regions or countries. Technical, aesthetical or formal developments are also examined at irregular intervals.

    Alongside the film programs, the International Short Film Festival Hamburg regularly organizes a wide range of extra activities, such as seminars, workshops, or panels on special topics. Some of these special events take place in cooperation with other organisation like the Hamburg Film Fund or MEDIA desk.

    ***THERE IS NO FEE TO ENTER THIS FESTIVAL***

  • Film Submissions:
  • Email:festival(at)shortfilm.com
    Phone:(49) 40 39 10 63 21
    Fax:(49) 40 39 10 63 20
    Mailing Address: Friedensallee 7,
    Hamburg 22765
    Germany

                                                                                                                                                       


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  • The 24th International Short Film Festival screened 214 of almost 4.000 submitted short films in the
    competitive categories and a further 100 films in non-competitive special programmes. Overall more than 30.000 euros of prize-money were poured out. Apart from a large number of accreditated guests and a high number of interesting films it were especially the many
    filmmakers and guests from Israel who came for the special programme “Yoffi! Yalla Bye!” that shaped this year’s festival. Due to the wave of summer heat almost 1.000 people gathered together at our open air event A Wall is a Screen.

    INTERNATIONAL COMPETITION
    Jury: Netalie Braun, Bren O’Callaghan, Jens Eder, Miranda Pennell, Holger Tepe.

    JURY AWARD: 3.000 EUROS: "Puppet Boy"
    Directed by: Johannes Nyholm, Sweden 2008, short fiction, 26:36 min.

    Jury substantiation:
    A disturbing and comic reflection on obsession and self-loathing that delivers an unsettling experience for the viewer. What at first appears to be an interview with a reclusive animator develops into a mirthless sequence of humiliations and an exploration of the human condition in the spirit of Gogol. In an inventive and brilliant way the film shifts between fiction and documentary, claymation and live action, evoking feelings of both repulsion and compassion in the viewer. Brilliant.

    FRANCOIS ODE AWARD: 1.500 EUROS: "Josh"
    Directed by: Govinda van Maele, Luxembourg 2007, short fiction, 14:40 min.

    Jury substantiation:
    With great precision and truthfulness the film presents the story of the missed opportunity to free oneself from a repressing life situation. Within 14 minutes the director suggests a complex and believable small-town microcosm full of boredom and lack of ambition, racial and gender resentment. In combination with excellent acting it is exactly the detailed representation of a specific milieu that allows for a deeper understanding of a wider human
    bewilderment.

    SPECIAL MENTION: "Mumbler"
    Directed by: Marc Roels and Wim Reygaert, Belgium 2007, short fiction, 22 min.

    "Silence"
    Directed by: Sivaroj Kongsakul, Thailand 2007, short fiction, 17:45 min.

    "Going to sleep is something absolutely certain in life" Directed by: Paolo Pennuti, Italy 2007, documentary, 20 min.

    AUDIENCE AWARD: 1.500 EUROS : "Puppet Boy" Directed by: Johannes Nyholm, Sweden 2008, short fiction, 26:36 min.

    NO BUDGET COMPETITION
    Jury: Mirna Belina, Ezra Eeman, Ben Rivers.

    JURY AWARD: 2.000 EUROS: "Kempinski"
    Directed by: Neil Beloufa, France / Mali 2007, experimental documentary, 13:58 min.

    Jury substantiation:
    The jury found this the most surprising work. In the darkness of "Kempinski" the future becomes present. Time and space are rendered ambiguous. A true no-budget work posed between documentary and science fiction.

    SPECIAL MENTION: "Sunshine State" (Extended Forecast),
    Directed by: Christopher Harris, USA 2007, experimental
    film, 8 min.
    The biggest story ever told through a pinhole.

    "Super Smile"
    Directed by: Effie Wu, Germany 2007, experimental film, 4:48 min.
    An amazing single take. We challenge you to take your eyes off Effie Wu.

    "Night Sweat"
    Directed by: Siegfried A. Fruhauf, Austria 2008, experimental film, 9:40 min.
    An unsettling study of light and darkness. Using the limitations of the medium to create something entirely cinematic.

    AUDIENCE AWARD: ex aequo 750 EUROS: "Yours Truly" Directed by: Osbert Parker, England 2008, animation, 8 min.

    "The Big Contentment"
    Directed by: Clemens Kogler and Karo Szmit, Austria 2007, experimental film, 3:57 min.

    GERMAN COMPETITION
    Jury: Ergun Cankaya, Dr. Annette Scholz, Bjorn Vosgerau.

    PILSNER URQUELL INNOVATION AWARD 2008 FOR A GERMAN SHORT FILM: 2.000 EUROS: "On the Line"
    Directed by: Reto Caffi, Germany / Switzerland 2007, short fiction, 29:45 min.

    Jury substantiation
    An unlucky hero who ends up committing a great crime against the love of his life. Director Reto Caffi follows his characters in an extremely precise and sensitive manner.
    The powerful performance and the mature realisation result in an impressive film, emotionally enthralling and captivating until the very end.

    SPECIAL MENTION: "Brainbirth control"
    Directed by: Jan Riesenbeck, Germany 2007, short fiction, 9:15 min.
    A breathtaking and highly amusing reflection on today’s rhythm of life, accelerated to the point of absurdity. Self-deprecating and poignant.

    "Morbus Bechterev"
    Directed by: Lola Randl and Rainer Egger, Germany / Austria 2007, short fiction, 11 min.
    Narrated in a light tone and so closely observed the viewer can hardly distinguish performance from real life. A charming character portrait and a study of the art of
    running circles around oneself.

    JURY PRIZE OF THE HAMBURG CULTURAL FOUNDATION: 2.000 EUROS: "Illusion"
    Directed by: Burhan Qurbani and Fabian Gasmia, Germany 2007, short fiction, 9:10 min.

    Jury substantiation:
    A common occurrence: somebody loses his job. “Illusion” traces the resultant loss of control and the slow sinking into loneliness in a poetic and moving style. The nuanced
    directing and a brilliant leading actress light up the screen and give this film a special sparkle.

    AUDIENCE AWARD OF THE HAMBURG CULTURAL FOUNDATION: 1.500 EUROS: "The Rat Train Robbery" Jim Lacy and Kathrin Albers, Germany 2008, animation,
    8:56 min.

    THREE-MINUTE QUICKIE COMPETITION AUDIENCE AWARD: 1.000 EUROS: "Nothing’s There" Rene Schottler and Markus Schaefer, Germany 2008, documentary / short fiction, 3 min.

    ARTE SHORT FILM AWARD
    Jury: Mado Le Fur
    6.000 euros (Acquisition of the film and broadcast as part of arte’s short film programme)

    "Interior. Scara de bloc"
    Directed by: Ciprian Alexandrescu, Romania 2007, short fiction, 15:49 min.

    Jury substantiation:
    With sensitivity and compassion, but also with a great sense of humour, the film describes how one event brings together the most diverse residents of a building who had been complete strangers before. The young filmmaker from Romania and the brilliant actors involved manage to give extraordinary power to a simple story with a satirical view on society. The Arte award goes to "Interior. Scara de Bloc"by Ciprian Alexandrescu.

    ZDF DOKUKANAL – BEST DOCUMENTARY SHORT
    Jury: Angelika Hoffmann, Andrea Windisch
    2.000 euros (Acquisition of the film and boradcast on ZDFdokukanal)

    "Automotive Action Painting" (Car Painting),
    Directed by: George Barber, England 2007, experimental dokumentary, 6 min.

    Jury substantiation:
    The jury was not only impressed by Barber’s unusual and dynamic painting technique, where cars drive through ‘puddles of paint’, but also the by the contrasting stillness of the camera. From a bird’s eye view, the audience observes a two-dimensional image gradually emerging, while the actual composition of the image is purely random. However, it is precisely this randomness that builds up the suspense with which the spectators follow the development of the image. An entertaining document of artistic design truly in the tradition of action painting, in this case automotive action painting.

    MUSIC IN SHORTS AWARD: 2.000 EUROS EACH
    Jury: Christian Buß, Wiebke Colmorgen, Horst Rickels

    International: "Passage"
    Directed by: Karl Lemieux, Canada 2007, short fiction, 15 min.
    A lot of pills are popped in this film, but this does not result in colourful visions. The painful end to four young people’s dirty weekend is presented in stark black-and-white images, and this bitter outcome is anticipated in a very clever and unobtrusive way in the score’s monochrome cascades of sound. The monotony of the rhythms lends a disturbingly subdued hue to the characters’ ecstasy. “The Passage” is an example of great narrative cinema in the short format and excellently proves that music can be used as a narrative element in its own right.

    national: "Rauschen & Brausen I,"
    Directed by: Daniel Burghardt, Germany 2007, experimental film, 4:52 min. Sound: Gerriet K. Sharma
    The world is in ruins, and it’s being put back together, but in a most unconventional way. “Rauschen und Brausen I” takes fragments of reality and reassembles them in a fascinating way to form a seemingly unending jigsaw puzzle. The score’s electronic white noise accompanies these images of “rebuilding”, while counteracting them at the same time. The film may not manage to see the rigour of its formal approach through to the very end, but it remains a brilliant example for a dialectical arrangement of image and music.

    SPECIAL MENTION:
    "Petzold’s Whistle"
    Directed by: Olaf Held, Germany 2008, short fiction, 5:33 min.
    What starts off as a debilitating background noise is transformed into a study in techno in a workman’s head. An amusing and illuminating little film about how sound does not only shape music, but can also produce images.

    "Trabalenguas para una casa vacia" (World Puzzle for an Empty House),
    Directed by: Gabriel Herrera Torres, Mexico 2008, short fiction, 12:15 min.
    This film impressively presents a 90-year old man’s living space as an extension of his own body. The ingeniously thought through score made up of music by Mozart, Ligeti and Berio deconstructed by scraping, shoving and shuffling noises creates a very organic overall impression and a portrait of life itself.
    report
  • INTERNATIONAL COMPETITION
    Jury: Anna Berger, Carol Mansour, Erik Hemmendorff, Veton Nurkollari, Philip Ilson


    Jury Award: “LAMPA CU CACIULA” (THE TUBE WITH A HAT)
    Directed by: Radu Jude
    Prize: 3.000 EUROS

    François Ode Award: “BARE”
    Directed by: Santana Issar
    Prize: 1.500 EUROS

    Special Mentions: “LA LEÇON DE GUITARE” (THE GUITAR LESSON)
    Directed by: Martin Rit, Frankreich

    and “SOFT”
    Directed by: Simon Ellis

    Skoda Audience Award: “LA LEÇON DE GUITARE” (THE GUITAR LESSON)
    Directed by: Martin Rit
    Prize: 750 EUROS

    and “SOFT”
    Directed by: Simon Ellis
    Prize: 750 EUROS

    DGET COMPETITION
    Jury: Oliver Baumgarten, Peter van Hoof, Dana Levy

    Jury Award: “THIS IS MY LAND”
    Directed by: Ben Rivers
    Prize: 2.000 EUROS

    Special Mention: “HAIRLADY”
    Directed by: David Birdsell

    Audience Award: “THANKS ANYWAY”
    Directed by: Mischa Leinkauf und Matthias Wermke
    Prize: 1.500 EUROS

    GERMAN COMPETITION
    Jury: Filomeno Fusco, Markus Prasse, Christiane Müller-Lobeck

    Pilsner Urquell Innovation Award 2007 For A German Short Film: “IN A GOOD POSITION”
    Directed by: Nancy Brandt
    Prize: 2.000 EUROS

    Special Mention: “POOLSIDE”
    Directed by: Michael Koch

    Jury Prize Of The Hamburg Cultural Foundation: “HOW I BECAME A FREELANCE TRAVEL GUIDE”
    Directed by: Jan Peters
    Prize: 2.000 EUROS

    Special Mention: “NIGHTSHADE”
    Directed by: Sabine Höpfner

    Audience Award – Natural American Spirit: “HILDA & KARL”
    Directed by: Toke Constantin Hebbeln
    Prize: 1.500 EUROS

    Audience Award Of The Hamburg Cultural Foundation: “HOW I BECAME A FREELANCE TRAVEL GUIDE”
    Directed by: Jan Peters
    1.500 EUROS

    Three-Minute Quickie Competition Audience Award: “HOMEWORK”
    Directed by: Fabian Möhrke
    Prize: 1.000 EUROS

    Zdf Dokukanal – Best Documentary Short:
    Jury: Angelika Hoffmann, Andrea Windisch

    “IN A GOOD POSITION”
    Directed by: Nancy Brandt
    Prize: 2.000 euros (Acquisition of the film and boradcast on ZDFdokukanal)


    MUSIC IN SHORTS AWARD:
    Jury: Ricardo Cortez, Corinna Dästner, Andrea Rothaug

    International: “I”
    Directed by: Luke Losey
    Prize: 2.000 EUROS

    National: “OSMOTIC”
    Directed by: Jan Verbeek
    Prize: 2.000 EUROS
    report
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