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Deauville Asian Film Festival

  1. Actor at Deauville Asian Film FestivalActor at Deauville Asian Film Festival
  2. filmmakers at Deauville Asian Film Festivalfilmmakers at Deauville Asian Film Festival
  3. Actor at Deauville Asian Film FestivalActor at Deauville Asian Film Festival
  4. Actor at Deauville Asian Film FestivalActor at Deauville Asian Film Festival
  5. Industry delegates at  Deauville Asian Film FestivalIndustry delegates at  Deauville Asian Film Festival
  6. Filmmaker accepting award at Deauville Asian Film FestivalFilmmaker accepting award at Deauville Asian Film Festival

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Photo Credits
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4 5 6
  1. OT Deauville - G. Isaac
  2. OT Deauville - G. Isaac
  3. OT Deauville - G. Isaac
  4. OT Deauville - G. Isaac
  5. OT Deauville - G. Isaac
  6. OT Deauville - G. Isaac
  • Deauville, France March 2009, TBA
  • Call for Entry Deadline: February 2009, TBA
  • Festival Data:
    • Established: 1998
    • Attendance: 40000
    • Media Attendance: 100
    • Accredited Industry Attendance: 200
    • Total Number of Films Screened: 30
    • Total Screenings: 60
    • # of Features Screened: 30
    • Competitive
  • Festival Website:
    http:/ / www.deauvilleasia.com/
  • Festival Description:

    The first Deauville Asian Film Festival took place in March 1999 as a showcase for the diversity and variety of cinematic production throughout Asia.
    In 2004, the organisation of the Deauville Asian Film Festival was taken over conjointly by the Deauville International Center and Le Public Système Cinéma, also responsible for the organisation of the American Film Festival. A high-quality cultural program and the attendance of famous Asian stars won the festival its spurs. The Deauville International Centre hosted an Asia village for the first time on the occasion of the 8 th Asian Film Festival, in 2006, as a complement to the event, for the purpose of inviting the public at large to discover freely the rich variety of all aspects of Asian culture: gastronomy, sports, health and well-being, economy and training, arts and culture.
    The Deauville Asian Film Festival now welcomes over 30,000 visitors. For five days, a refreshing wind charged with the colours, the perfumes, the rumours and the mystery of the Orient wafts around Deauville. The rich diversity of the different cultures represented contributes to the atmosphere, with the cinema offering us breathtaking emotions and discoveries from Asia's most talented directors – year after year, the festival's program allows audiences to witness the blooming of new talent in the film-making world – and with the Asia village, hosted at the heart of the Deauville International Centre and occupying some 3,000m², where sporting demonstrations, the possibility of savouring the delights of Asian cuisine, and fine and comic art exhibitions ceaselessly fill visitors with a sense of wonder. Notable amongst the visitors are the Ambassadors of all 18 Asian countries, who will be meeting with Norman businesses established in Asia and Asian students in France.

  • Film Submissions:
  • Email:jlasserre(at)lepublicsysteme.fr
    Fax:+33 1 41 34 20 77
    Mailing Address: Deauville
    France

                                                                                                                                                       

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  • BEST FILM: "WITH A GIRL OF BLACK SOIL"
    by JEON Soo-il (South Korea)

    JURY PRIZE: "FLOWER IN THE POCKET"
    by LIEW Seng Tat (Malaysia)

    "WONDERFUL TOWN"
    by Aditya ASSARAT (Thailand)

    LOTUS AIR FRANCE | CRITICS' PRIZE: "WITH A GIRL OF BLACK SOIL"
    by JEON Soo-il (South Korea)

    LOTUS ACTION ASIA | BEST ACTION ASIA FILM: "HEROS DE GUERRE"
    by FENG Xiaogang (China)
    report
  • Born August 23rd, 1963 in Seoul, South Korea, Park Chan-wook studied philosophy at Sogang University, where he founded a film club and developed a strong interest in film theory. After writing and directing two unsuccessful films, his third feature film “Joint Securtity Area” became a record-breaking national hit in 2000 and was also invited to numerous film festivals such as Berlin and Deauville where it won the Grand Prize in 2001. The following year, Park Chan-wook began a trilogy about vengeance with “Sympathy for Mr. Vengeance”. “Oldboy”, his second instalment, won the Grand Prix of the Jury of the Cannes Film Festival 2004. “Sympathy for Lady Vengeance”, his third instalment, won the Young Lion and the Best Innovative Award at the Venice Film Festival 2005. His seventh feature film « I'm a Cyborg, But That OK » was presented at the Berlin Film Festival a few weeks ago and won the Alfred Bauer Prize. P ark Chan-wook is currently preparing for his next project, “Evil Live”, which he will both direct and produce.

    FILMOGRAPHIE - FILMOGRAPHY
    Director & screenwriter
    1992 | DAL EUN… HAE GA KKU NEUN KKUM
    (The Moon Is… the Sun's Dream)
    1997 | SAM IN JO (A Trio)
    2000 | GONGDONG GYEONGBI GUYEOK JSA (Joint Security Area)
    2002 | BOK SU NEUN NA YI GEOT (Sympathy for Mr. Vengeance)
    2003 | YEO SEOT GAE YI SI SUN : MIT GEO NA MAL GEO NA, CHANDRA TI GEYONG WOO
    (If You Were Me: N.E.P.A.L. Never Ending Peace and Love)
    OLDBOY
    2004 | THREE…EXTREMES: CUT
    2005 | CHIN JEOL HAN KEUM JA SSI
    (Sympathy for Lady Vengeance)
    2006 | SAIBOGU JIMAN GWENCHANA
    (I'm a Cyborg, But That's Ok)
    report
  • Best Film (Lotus Du Meilleur Film): “Syndromes And A Century”
    By Apichatpong Weerasethakul (Thailand)

    Jury Prize (Lotus Du Jury): “King And The Clown”
    By Lee Jun-Ik (South Korea)

    Critics' Prize (Lotus Air France): “Ad Lib Night”
    By Lee Yoon-Ki (South Korea)

    Best Action Asia Film (Lotus Action Asia): “Dog Bite Dog” By Soi Cheang (Hong Kong)
    report
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